In this the 5th part of our study on Chitlins Con Carne we look where Kenny changes the feel to a Charleston Rhythm and focuses more on the major 3rd to imply a major tonality rather than the minor pentatonic in the previous chorus’. He also goes double time! Ahhhhh!!!! Get that metronome out, eat your weetabix and start shedding your scales!
Click play below to find out more about this awesome solo!